Spencer Davis Group Keep On Running

HISTÓRIAS Ainda no Mariu´s inn : recebi um 45 rpm do Spencer Davis Group que tinha o Steve Winwood como vocalista e essa música bombava na pista

Donovan - There Is A Mountain (Original Stereo)

HISTÓRIAS : Desde 1969, ano de Woodstck, exerço o trabalho de Dj, que começou por acaso quando frequentava o Mariu´s inn , em uma bela noite o Mario teve que sair e me colocou dentro do bar junto com o Barman para botar uns disco pra rolar (a cabine de som era no mesmo espaço) . O povo que estava na pista continuou e os que chegavam iam direto dançar. A noite foi animada e a Edna me chamou pra conversar. Nessa noite me lembro que toquei : There is a montain do Donovan, entre outras >>

Live for life (vivre pour vivre) - soundtrack

1. Vivre Pour Vivre
2. Theme De Catherine
3. Theme De Candice
4. Vivre Pour Vivre
5. Des Ronds Dans L'eau 'Now You Want To Be Loved'
6. Theme De Cathrine
7. Theme De Robert
8. Vivre Pour Vivre
9. A Wourd'Hui C'Est Toi 'All At Once It's Love'
10. Zoom
11. Vivre Pour Vivre

http://www.mediafire.com/?24t8m2q4t2y82bm

les uns les autres - soundtrack

Les Uns et les Autres is a 1981 French film by Claude Lelouch. The film is a musical epic and it is widely considered as the director's best work with Un Homme et une Femme. It won the Technical Grand Prize at the 1981 Cannes Film Festival.[1] In the United States, it was distribued under the name Boléro in reference to Maurice Ravel's orchestral piece, used in the film.


Bolero (Les Uns Et Les Autres), Francis Lai / Michel Legrand / Ravel (Score-CD) CD with 12 tracks Track list:

01. Bolero 16:27
02. Ballade our ma memoire 3:48
03. Un parfum de fin du monde 4:19
04. Folies Bergeres 4:14
05. Ballet apocalypse 3:41
06. Serenade for sarah 4:49
07. Les violons de la mort 3:31
08. Les uns et les autres 3:07
09. Paris des autres 2:17
10. Pot-pourri 4:26
11. Les allemands a paris 3:34
12. Dad And Co. 4:59



http://www.mediafire.com/?4yhyy8ii8jg8h1t

gang 90 & absurdettes

Gang 90 foi um grupo de rock brasileiro dos anos 1980, fundado pelo disc jockey e jornalista Júlio Barroso[1].

Suas canções misturavam new wave com viagens beatnik, e ainda carregava batidas fortes e coro feminino, inspirado no grupo B-52s[1].

Sua primeira aparição foi na discoteca Paulicéia Desvairada em 1981. Participou do Festival MPB Shell do mesmo ano, com a música Perdidos na Selva, o que tornou o grupo famoso.

Em 1983, lançou o LP Essa tal de Gang 90 & as Absurdettes, que emplacou uma música como tema de novela das 8 da Rede Globo, Louco Amor, de Gilberto Braga.

No mesmo ano, também participaram do especial da Rede Globo Plunct Plact Zum com a música "Será que o King Kong é Macaca"?

Júlio Barroso faleceu em 1984, caindo da janela de seu apartamento em São Paulo. Após isso, a tecladista Taciana Barros juntou outra formação e lançou mais dois álbuns.

Chegaram a participar de sua formação Júlio Barroso, Alice Pink Pank, Lobão, May East, Lonita Renaux (Denise Barroso), Luíza Maria, Wanderley Taffo, Guilherme Arantes, Lee Marcucci, Gigante Brasil, Herman Torres, Otávio Fialho, Luiz Paulo Simas, Taciana Barros, Beto Firmino, Gilvan Gomes, Paulo Le Petit, Curtis.

1.Nosso louco amor (Herman Torres - Júlio Barroso)
2.Românticos a gô-gô (Alice Pink Pank - Júlio Barroso)
3.Telefone (Júlio Barroso)
4.Eu sei, mas eu não sei [I know but i don't know] (F.Infante)
5.Convite ao prazer (Wander Taffo - Julio Barroso - Lee Marcucci)
6.Dada globe orixás [Spaced out in paradise] (C.Stevens - L.Gomes)
7.Perdidos na selva (Júlio Barroso - [[Guilherme Arantes]- Márcio Vaccari])
8.Noite e dia (Júlio Barroso - Lobão)
9.Mayacongo (Luiz Fernando Borges - Júlio Barroso - Luiz Paulo Simas)
10.Jack Kerouac (Alice Pink Pank - Júlio Barroso)




download > http://www.mediafire.com/?a6rcyc2vhdlhzh1

the Adventurers - soundtrack

Esse album foi extraido de um LP , talvez tenha algum ruido normalmente ouvido quando se escuta as faixas em um toca-discos, mas nada que prejudique a audição do mesmo. É uma trilha sonora composta por Antonio Carlos Jobim com participação de Eumir Deodato, uma raridade

1 - main title
2 - children´s games
3 - rome montage
4 - bolero
5 - dax rides
6 - dax & amparo (love theme)
7 - corteguay
8 - the long trek
9 - search for amparo
10 - that old black magic (johnny mercer & harold arlen)
11 - bitter vistory
12 - el lobo´s band - eumir deodato
13 - a bed of flowers for sue ann


http://www.mediafire.com/?fnwriy34g3t

Marcos Valle

Marcos Valle

1 - samba de verão
2 - preciso aprender a ser só
3 - dia de vitória
4 - bloco do eu sózinho
5 - remedio pro coração
6 - diálogo
7 - viola enluarada
8 - terra de ninguem
9 - sonho de Maria
10- o amor é chama
11- deixa o mundo e o sol entrar
12- maria da favela


D.L. > http://www.mediafire.com/?zvfnkmgtmnx

Lyra, Menescal & Boscoli

Essa foto é meramente ilustrativa, não tenho a capa do album original

Lyra, Menescal & Boscoli

1 - lobo bobo
2 - o barquinho
3 - fim de noite
4 - influencia do jazz
5 - rio
6 - telefone
7 - maria moite
8 - a morte de um Deus de sal
9 - pau-de-arara
10- marcha da quarta feira de cinzas
11- primavera
12- a volta


D.L. >http://www.mediafire.com/?tyywyymrgoe

The Ting Tings

We Started Nothing

June 3, 2008

The debut album by Salford's The Ting Tings comes hot on the heels of their No.1 single "That's Not My Name", a nugget of pop gold that comes on like a genetic splicing of Toni Basil's "Micky" and The Knack's "My Sharona". The bulk of We Started Nothing follows a similar formula, navigating a path between the smart, angular indie of CSS, Bonde Do Role, et al and the pop mainstream. Here and there, they pull it off perfectly: the stutter-rap of "Fruit Machine" sees vocalist Katie White leading on some poor sap with sultry charisma and lip-gloss sass, while the excellent "Shut Up and Let Me Go" is snappy dance-punk in the spirit of Blondie's "Rapture" or Tom Tom Club's "Genius of Love". Elsewhere, they branch out with mixed results. "We Walk" builds from quiet flourishes of piano into a surprisingly steely manifesto: "Smash the rest up/Burn it down/Put us in the corner cause we're into ideas", sneers White. Rather less good is "Traffic Light", a light, jazzy number that employs a number of somewhat forced driving metaphors to describe a relationship hit the skids. Still, it's a debut with promise, and a string of good singles is nothing to be sniffed at. -–Louis Pattison


1. Great DJ 3:24
2. That's Not My Name 5:11
3. Fruit Machine 2:54
4. Traffic Light 2:59
5. Shut Up And Let Me Go 2:53
6. Keep Your Head 3:23
7. Be The One 2:57
8. We Walk 4:06
9. Impacilla Carpisung 3:39
10. We Started Nothing : 6:24



D.L. >> http://www.mediafire.com/?wdmjizs1h0r

Booka Shade

The Sun and & Neoan Light

May 26, 2008

2008 two CD set, a mature work that tackles the contradictions between our day-life and our night-life, between the organic and the artificial, the individual and the crowd, the inner and the outer. This eternal tension is reflected not just in the range and complexity of the album's moods, but also its mingling of acoustic and electronic textures. Booka Shade's roots lie in club music, but for this album, they adopt a song-based approach, and expertly weave real instruments and voices with superbly detailed electronics to create a futuristic but very organic sound. 2008. --

1. Outskirts 4:53
2. Duke 4:32
3. Dusty Boots 3:25
4. Control Me 5:08
5. Solo City 4:34
6. Charlotte 4:31
7. Numbers (Radio Mix) 3:26
8. The Sun & The Neon Light 4:29
9. Sweet Lies 3:58
10. Karma Car (Album Version) 4:17
11. Psychameleon 4:56
12. Planetary 4:08
13. Comacabana 4:33
14. You Don't Know What You Mean To Me (J's Lullaby) 5:12


D.L. >> http://www.mediafire.com/?ytizmommynd

Metro Station

Metro Station


September 18, 2007

If one was to make a musical time capsule of 2007 a collection of sounds and lyrics reflecting the energy of our moment it might be a good idea to drop in a copy of METRO STATION’s eponymous debut record. Sure, the band is young (OK, still in fake ID territory), but Metro Station’s brazenly catchy dance hooks and yearning lyrics perfectly capture what it feels like to be a teenager in today’s culture. This is a band that was weaned on and made by the Internet, whose dedicated legion of online fans made them MySpace stars in a matter of weeks. This is a band that caught the early attention of ALTERNATIVE PRESS (earning a spot as one of the magazine’s 22 Best Underground Bands), along with URB and TEEN VOGUE magazines, months before they signed to a label. Metro Station is a band that, despite their youth, have made their way from greasy mall jobs to recording with Motion City Soundtrack in the same year. They are truly a product of their times and their generation, and they are ready to take advantage of it.


1. Seventeen Forever (Album Version) 2:56
2. Control (Album Version) 3:20
3. Kelsey (Album Version) 3:37
4. Shake It (Album Version) 3:00
5. Wish We Were Older (Album Version) 2:55
6. Now That We're Done (Album Version) 3:28
7. True To me (Album Version) 2:52
8. Tell Me What To Do (Album Version) 3:09
9. California (Album Version) 2:42
10. Disco (Album Version)


D.L. >> http://www.mediafire.com/?myydx1klm3h

Modeselektor

Happy Birthday

September 11, 2007


This record describes the main focus of Berliners Gernot Bronsert and Sebastian Szary: hang out together all the time. Both dudes will become fathers very soon, almost simultaneously -- happy birthday! But back to their labor-pains: After 111 slashings and burnings across dancefloors from Sydney to Iceland, and driven by the ungovernable spirit of gold-diggers, Gernot and Szary holed up in their mobile Airstream caravan recording studio in order to give birth to Happy Birthday!. The conditions of production were slightly adverse, but thanks to digital transfer technology and a mild winter in Berlin, it all came together nicely in the end. The repertoire of Happy Birthday! runs from hard rap with a French kick to dubstep in the broadest sense. New urban word scraps attempt to describe Modeselektor's style: Eurocrunk, continental grime, tech-rap... the list is long. Mr. Bronsert and Mr. Szary don't like to put a genre sticker on their music anyway, so they don't really care. They just do great music, no matter what style. And another good thing -- their tendency to not take themselves seriously is unbowed, so this album is great fun for everybody -- moms, dads, siblings, grandparents, etc.


1. Goddspeed
2. 2000007
3. Happy Birthday
4. Let Your Love Grow
5. B.M.I.
6. Em Ocean
7. Sucker Pin
8. The First Rebirth
9. The Dark Side Of the Frog
10. The Dark Side Of the Sun
11. Black Block
12. Edgar
13. Hyper Hyper
14. Late Check-Out
15. The Wedding Toccata Theme
16. The White Flash
17. Deboutonner


D.L. >>http://www.mediafire.com/?wlizzzvzazj

Moby

Last Night

March 31, 2008

After three albums that seemed to find Moby in some sort of creative stasis, Last Night sees the once-restless DJ/producer changing the record and returning to one of his first loves: the heaving dancefloors of his native New York. Soulful, uplifting piano rave is the order of the day here, and while some hallmarks of Play remain--Moby still has a fascination for long, tearful synth lines and sampled vocals, which he drops in here and there, seemingly to yield the maximum emotional response--Last Night still feels like a clean slate. "I Like to Move in Here" shimmies along on a languid house beat that doffs a cap to early hip-hop in the shape of a cameo from MC Grandmaster Caz, one of the writers of "Rapper's Delight", while "Everyday It's 1989" is the sort of overdriven, ecstatic piano house that Moby perfected on his 1995 classic Everything Is Wrong. There's more guest spots in the shape of British MC Aynzli, the Nigerian 419 Squad and Sylvia from dark NYC disco band Kudu, but the most impressive thing about Last Night is the peaks that Moby can reach when he's working alone: see the grand, emotive swell of "Sweet Apocalypse", cold synths and driving beats that, were it released by James Murphy, would be hailed as genius--and rightfully, too.--Louis Pattison



1. Ooh Yeah 5:18
2. I Love To Move In Here 4:43
3. 257.zero 3:37
4. Everyday It's 1989 3:40
5. Live For Tomorrow 4:02
6. Alice 4:26
7. Hyenas 3:35
8. I'm In Love 3:42
9. Disco Lies 3:22
10. The Stars 4:20
11. Degenerates 3:58

D.L. >> http://www.mediafire.com/?dvvymbnzvj2

portishead

Third

April 29, 2008

Portishead's Third has been a long time coming, the result of a lengthy creative torpor following 1997's dark, distinctly underrated album Portishead. Importantly, though, they've shaken it. While the core trio of Beth Gibbons, Geoff Barrow, and Adrian Utley remains, this is quite a different band to Portishead's 90s incarnation: gone is the slo-mo turntable scratching and smoky jazz feel, replaced by heavy, brooding rhythms, vintage-sounding electronics, and spindly guitar. Still present, though, is that sense of emotional fracture and deep gloom. "Silence" opens with a dense drum loop which suddenly falls away to reveal Gibbons' voice, cold but magnificent: "Wounded and afraid, inside my head/Falling through changes". "Nylon Smile", meanwhile, is a fine example of Third's occasional folksy edge, an acoustic song reminiscent of Leonard Cohen that, around its midpoint, lifts off on a propulsive electronic rhythm, Gibbons holding one clear, hard note as synthesisers bubble beneath. At times, it's a harsh and foreboding listen: the electronic drums of "Machine Gun" might put off the listener hoping for smooth dinner party fare. But Third is a brave and forward-thinking return, and one great enough to justify its lengthy gestation. --Louis Pattison


1. Silence 4:59
2. Hunter 3:57
3. Nylon Smile 3:16
4. The Rip 4:31
5. Plastic 3:27
6. We Carry On 6:28
7. Deep Water 1:31
8. Machine Gun 4:43
9. Small 6:46
10. Magic Doors 3:32
11. Threads

D.L. >>http://www.mediafire.com/?xojzudyd6tk

Sigur Ros

Med Sud I Eyrum Vid Spilum Endalaust

June 24, 2008


Sigur Rós--the sound of snow-capped peaks. Or winged things flocking over vast plains. Or salmon making that final courageous, muscular leap upstream, homeward bound. Ever since the BBC so aptly enlisted the help of the band’s "Hoppipolla" single to theme the groundbreaking natural history series Planet Earth, the ever-ethereal Icelandic band have become somewhat typecast, finding themselves conducting awe across the backdrops of nearly every other programme in that broad genre. And with that came the danger that all which followed would automatically become an instant cliché. And though their last album Takk saw a slowing of their evolution in favour of solidifying the established sound in accessible earfuls, Med Sud I Eyrum Vid Spilum Endalaust (which translates as "with a buzz in our ears we play endlessly") sees enough of a stylistic twist to keep things moving, without undercutting this new approachability. Where previously they sounded untouched by human hands, all alien post-rock abstractions, they now sound much more organic, sometimes literally like men playing instruments in a room. Albeit pensively, and extraordinarily. It is a perky record, attentive and exquisite, familiar but not derivative. The rhythmically adventurous "Gobbledigook" reminds of Brooklyn experimentalists Battles, unplugged, the xylophone heavy "Inní Mér Syngur Vitleysingur" is this album’s "Hoppipolla" and "Ara Batur" is trembling, lonely and eventually triumphant. "Festival", the album’s centrepiece, melds the old and new Sigur Rós dramatically over nine majestic minutes and must number amongst the best moments of their career. -- James Berry

1. Gobbledigook 3:04
2. Inní mér syngur vitleysingur 4:05
3. Gódan daginn 5:15
4. Vid spilum endalaust 3:33
5. Festival 9:23
6. Med sud í eyrum 4:56
7. Ára bátur 8:56
8. Íllgresi 4:13
9. Fljótavík 3:49
10. Straumnes 2:01
11. All Alright

D.L.>>http://www.mediafire.com/?onnygmry1y9

Tricky

Pre millennium tension


November 19, 1996

Pre-Millennium Tension picks up where the first album Maxinquaye left off, but this CD fulfills the promise of Tricky's unbounded spontaneity and fondness for sonic digression. Abandoning the accessible pop of Maxinquaye, Pre-Millennium Tension serves up a beguiling array of sound effects, electro distortion and fragmented lyrics that amount to a rich--if bizarre-musical montage. As suggested by its title, this disc zeros in on a kind of end-of-the-millennium disruption of classifiable sound. With its cross-pollination of hip-hop, cabaret balladry, background textures, and disjointed arrangements, Pre-Millennium Tension takes a peek at the future of pop music and declares it will be nothing like we expect. --Nick Heil


1. Vent
2. Christiansands
3. Tricky Kid
4. Bad Dream
5. Makes Me Wanna Die
6. Ghetto Youth
7. Sex Drive
8. Bad Things
9. Lyrics Of Fury
10. My Evil Is Strong
11. Piano

D.L. >> http://www.mediafire.com/?1yyzvz9oggt

Tricky

Angels with dirty faces


June 2, 1998


What's really tricky is following up a debut as innovative and exquisite as 1995's Maxinquaye. Third time out (fourth if you count 1996's perplexing duets project Nearly God) and the artist formerly known as Adrian Thaws is still struggling to find the right balance of ambition and ability on Angels with Dirty Faces. The album has its moments: including a stirring collaboration with Polly Harvey on the bluesy "Broken Homes" and singer Martina Topley-Bird's eerie rendering of Billie Holiday's "God Bless the Child" on "Carriage for Two." If you liked the claustrophobic mire of last year's Pre-Millennium Tension, Angels won't disappoint. Otherwise, you may find it a downer. --Aidin Vaziri


1. Mellow
2. Singing The Blues
3. Broken Homes
4. 6 Minutes
5. Analyze Me
6. The Moment I Feared
7. Talk To Me (Angels With Dirty Faces)
8. Carriage For Two
9. Demise
10. Tear Out My Eyes
11. Money Greedy
12. Record Companies

D.L. >> http://www.mediafire.com/?yundntuze2y

Sex and the City

May 27, 2008

Soundtrack

1. Labels or Love (Fergie)
2. All Dressed In Love (Jennifer Hudson)
3. The Look Of Love -Madison Park vs Lenny B Remix (Nina Simone)
4. New York Girls (Morningwood)
5. All This Beauty (The Weepies)
6. I Like The Way (Kaskade)
7. It's Amazing (Jem)
8. How Deep Is Your Love (The Bird & The Bee)
9. The Heart Of The Matter (India.Arie)
10. Auld Lang Syne (Mairi Campbell & Dave Francis)
11. Kissing (Bliss)
12. . How Can You Mend A Broken Heart (Al Green featuring Joss Stone)
13. Walk This Way (Run-D.M.C. featuring Steve Tyler and Joe Perry of Aerosmith)
14. Sex and the City Movie Theme (The Pfeifer Broz. Orchestra)


DL >>http://www.mediafire.com/?bsx4twmb4nn

Coldplay

Viva la Vida

June 17, 2008

To say there has been a lot of anticipation for Coldplay’s fourth album, Viva La Vida, is an understatement. Having enlisted legendary leftfield producer Brian Eno, borrowed their album title from a painting by renowned Mexican artist Frida Kahlo and made tantalising remarks about sonic reinvention, the world has been curious (to say the least) to hear what the ‘new’ Coldplay might sound like. Viva La Vida definitely makes some departures from the band’s usual formula, which happens to be one of the most commercially successful rock-pop blueprints of recent years. The plangent chords, emotive melodies, stadium-rock rhythms and universal lyrical concerns remain, but Martin and co. have gone out on several limbs here, incorporating instrumental tracks ("Life In Technicolour"), using subtle North African and Latin elements ("Yes", "Strawberry Swing"), and overhauling previously strict verse-chorus-verse structures in favour of slightly more avant arrangements. The old Coldplay still shine through (see tracks like "Violet Hill" and the title song) but even their classic sound feels more muscular and confident. The band’s new flourishes, cosmetic and self-conscious as they may be, are enough to make Viva La Vida a welcome break from the old routine--Danny McKenna

1. Life In Technicolor 2:29
2. Cemeteries Of London 3:21
3. Lost! 3:55
4. 42 3:57
5. Lovers In Japan 6:51
6. Yes 7:06
7. Viva La Vida 4:01
8. Violet Hill (Album Version) 3:42
9. Strawberry Swing 4:09
10. Death And All His Friends 6:23

DL >>http://www.mediafire.com/?xglvngymdkd

Bronski Beat

The Age Consent

February 4, 1997

Reissue of classic New Wave/Dance record with 6 bonus tracks. 'I Feel Love' (Medley with Marc Almond), 'Run From Love'(Re-mix from 'Hundreds And Thousands'), 'Hard Rain' (Re-mixfrom 'Hundreds And Thousands'), 'Memories', 'Puit D'Amour' & 'Heatwave' (Re-Mix from 'Hundreds And Thousands'). 16 tracks in all including 'Smalltown Boy' & 'Why'. Featuring thesoaring vocals of Jimmy Somerville. 1996 release.

1. Why?
2. Ain't Necessarily So
3. Screaming
4. No More War
5. Love and Money
6. Smalltown Boy
7. Heatwave
8. Junk
9. Need a Man Blues
10. I feel Love
11. I feel Love - remix
12. Run from Love - remix
13. Hard Rain - remix
14. Memories
15. Puit D'Amour
16. Heatwave - remix

D.L. >>http://www.mediafire.com/?5vbid0p9mmn